Graffiti GIFs, lettering by INKIE and backgrounds by INSA.
found at dvdp
Tim Burton's website is really fantastic. To navigate through the site you have to use your arrow keys to walk "Stain Boy" around mysterious rooms and corridors. You are given the option of walking into either the Public Gallery or the Private Gallery, where you have to enter your email address to get in. A smart move that really works, even if most of us have a "spam email account".
Although navigation with arrow keys is nothing new, it worked really well in this case as it gives the user a real sense of walking around a gallery in a mysterious, Alice in Wonderland style building.
Emess is a Berlin-based graffiti artist who does work similar to that of Banksy. Stencil graffiti is a new style in the genre and can be seen more and more frequently as it is getting pretty fashionable.
"Sprayer" by Emess.
"Inlaid Patchwork Berlin" by textile artist, Ursel Arndt, 2008/09 is a patchwork of stencil graffiti art.
At first this sculpture did not seem very interesting, however when I read the little plaque it actually proved to be quite intriguing. Left to right: "Momento", "American Garamond", "Antique Olive" and "Orator", 2005, are scale enlargements of full-stops in the four fonts. They each have the same point size but the large scale shows the intricate details which exist within the apparently universal and uniform symbols.
"Artist's Formula for Success Chart: Aquarius" by Laurence Burt, 1970. I found it strange that someone would want to attempt to create a mathematical formula or flowchart to how to find success as an artist. This piece of art, or science(?), almost shows how "unlogical" art is but is juxtaposed with how it is itself a "successful work of art".
An extract of "Family Tree 1970-1981" by David Nash, 1985. This drawn work was appealing to me as it had been carefully hand drawn and showed lots of possibilities that a tree holds.
"A Work Between Two Insitutions" by Stephen Willats, 1987. This shows the relationship between a block of flat and a City Art Museum in a strange, electric-circuit-style diagram.
"Sign Elements III" by Matt Rugg, 1963. I'm not really sure what to think of this piece but I quite liked it...
"Untitled" Computer generated and screen printed by Darrel Viner, 2001. Darrel Viner produced a whole series of these 2D spheres for which he had written a computer program to create them. There is a debate as to whether computer generated works count as art, I personally feel that the computer is merely a medium, like a paint brush or pencil and that it is still the work of an artist.
"Extended Cube" by David Nash, 1996. The same artist who produced "Family Tree" has extended a wooden cube...for some reason...
"Acrobats" by Ian Hamilton Finlay, 1966. This is one of Finlay's "Concrete poems". The title is the main part of the work with the letters jumping and tumbling in mid-air.
"Faithful Servants (Marine)" by Edward Wadsworth, 1928. This piece was in the main art gallery rather than the sculpture exhibition. I particularly like surrealist art as to me it has more thought put into it as there is a meaning behind each object and its positioning.

" There was a pre-Napoleonic (1758) proposal by Charles Ribart for an elephant-shaped building on the location of the current arch." (Quoted from this site) 

Sculptures:


The title of this exhibition came from the name of an amusement park built in 1904 at Coney Island in New York. Dreamland marked the beginning of a sensational new movement in architecture. Dreams were becoming reality.
Dreamland Amusement Park, 1907. This was to be a high-class entertainment village with elegant architecture, exhibitions, rides and thrills however the park was destroyed by a fire in 1911.
The exhibition had a section about Salvador Dali's "Dream of Venus" pavilion for the New York's World Fair in 1939. This was a piece of installation art before installation art had even begun. You can guess that the pavilion was a very weird and wonderful place; topless mermaids swimming around, a leopard-faced mannequin covered in shot glasses, Venus in her boudoir....
"Skyline" by Kader Attia is a collection of fridges covered in tiny mirror panels.
"Delirous New York" original cover by Rem Koolhaas.
“Nothing Stops a New Yorker” by Malachi Farrell. This was a quirky piece of installation art, the cardboard skyscrapers were at first made to do a work-out then that was interrupted by news reports from September 11th, terror alerts broadcasts and exerts from Public Enemy songs. It was interesting how the artist had surrounded the skyscrapers by junk. It seemed to show the collapse of New York's infrastructure and the nature of our "disposable" way of life accumulating in the streets. The installation was cleverly placed by the panoramic windows of the Pompidou centre, showing the city carrying on behind as if forever into the distance.
What better to do on the first sunday of the month than visit the Centre Pompidou in Paris? I felt a bit like a fly as I walked round because I found my self attracted by anything with neon lighting. Looking at all the art and stuff kind of made me question whether the things I saw were genuinely "works of art" or just a pretty picture/installation or a load of rubbish.

If tree is to birds nest, then the Pompidou centre is to.....? Tree houses =) They're a bit pointless but i like them.
It has to be said one of the best things about the pompidou centre is the view. Panoramic view of Paris including the Notre Dame cathedral, Eiffel Tower and the Sacre Coeur.